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It’s evident from the album’s sense of ease that the two have grown comfortable with one another after working together for so many years. The album has a number of producers, from Tyler, the Creator to Christian Rich, but the majority is handled by Miller’s longtime collaborators at ID Labs. Whether it’s the sparse piano of “ROS” or the soulful sample on “Brand Name,” every beat feels purposeful, and each song flows comfortably into the next. Records), it feels as if he’s finally emerged as the artist he was always meant to be.įor all the talk of Mac’s growth, it’s the album’s understated but richly layered production that immediately stands out. But on GO:OD AM (his major-label debut after departing longtime home Rostrum Records for Warner Bros. Keeping children safe is such an important. His first attempt, Watching Movies With the Sound Off, was an important (if imperfect) step in the right direction. It's a decent listen but shows potential which wasn't fulfilled with his high budget debut.
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The mixtape relies way too much on the strength of the beats which err on the side of hazy synth ambience for the majority of it. Not bad, but way too repetitive and shallow to be compelling. In this portrayal, Mac executes well the tone of his own experiences throughout this moment of his life, making the showcasing succeed as a result. Once dismissed as a lightweight “frat rapper,” Mac Miller has spent the last several years trying to prove that his early success wasn’t a fluke. Make no mistake, Miller is an average rapper.